Talent buyers, agencies, artist managers and tour managers each get a full operating system, not a shared inbox with four logins. 114 tools across four portals, built for the way a show actually gets booked, run and settled.
Live music still runs on spreadsheets, PDFs and reply-all. CRDNTR replaces that stack for the entire industry: a full operating system for talent buyers, another for agencies, another for artist managers, another for tour managers. Every workflow native. Every seat connected. One platform underneath the whole business.
The whole point
One live record that every portal reads and writes. When the date moves, every screen in the industry moves with it.
Every card below is real product surface: statuses, numbers, dependencies. No illustrations.
Everything between the first offer and the final settlement, in one system instead of fourteen.
Holds, offers and routing across every artist you represent, with the promoter history attached before you answer.
One roster view of every show, deal and payment, so a date that moved reaches you the same minute it moves.
The advance you filled in becomes the day sheet, the travel and the settlement. On a phone at load-in, with no signal.
FAQ